How is it that one year, a Liturgy Committee, in the person of its head, can tell the music director that "O Sons and Daughters" (tune, O FILII ET FILIAE,) is too "gloomy" for a Communion song on Easter; and the next year, when the notes for that preceding year's deliberation (accidentally?) find their way into the agenda, turn out to have recommended "Easter Alleluia" by one Messr. Marty Haugen for the Offertory procession song for that same liturgy?
(Pascha Nostra, which had been used the year before that was dismissed out of hand...)
Universalis, your very own breviary in pixels...
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