Thanks to "For Your Consideration" dvds, I have watched a number of newish movies with Himself, of late, movies which I would have probably seen later when they were free, or never. (I don't think I'm violating an terms of their possession if I watch them with him.)
Generally, after I view or read a piece of work like this, I go back to see what reviews, "experts," etc., had to say about it.
I've read that it is a piece of transgender activist "propaganda," that some involved in its creation see themselves now as adding their voices to the acceptance of transgenderism....
Frankly, I was surprised by the refreshingly un-PC pov of The Danish Girl.
To me, it seems to present, in very sympathetic terms, the life of a delusional man, and they way his life was constricted, and ultimately ended by the mental illness from whihc he suffered.
What the intentions of its creators' were, I can not say, but that is what I "got" from it.
Eddie Redmayne gave a very detailed, but more technically proficient than moving portrait of Einar Wegener. (I should say up front that I go in to this with a bit of hostility to Redmayne, because I think he has an Oscar that belonged to Michael Keaton. Not his fault, so I'm sure I'll forgive him eventually, as I will Tom Hanks for having the Oscar that by all rights was Anthony Hopkins' for Remains of the Day.)
On the other hand, that may have been intentional, and appropriate, because except in rare cases of congenital sexual ambiguity, men suffering from such delusions can, at best, aspire to a kind of "technical proficiency" in their pretense, rather than anything real. Overacting is always easier than being, hence, the caricatures of femininity presented by so many drag queens and trans-gender "women."
Alicia Vikander is the soul of the movie.
It is a love story, and her character is the one who provides actual love, (though even she fails at the real test of the lover - wishing, and acting for, the good of the beloved. Much harder than enabling, perhaps?)
Regardless of the truth of the story, in this film of an apparently highly fictionalized novelization of a truish story of an attractive madman, her portrayal of the wife who loved him through and despite his descant into insanity was wonderful.
Her husband's delusion, his betrayal, his pitiful learning to play a part, (as if ones gender is a matter of gesture and posture!) his lies, his truly insulting - to an actual woman - notion of womanhood, and finally, his absurd attempt to have organs implanted in order to bear children at an age when pregnancy and childbirth would have been improbably for an actual woman - the clear-eyed love she exuded was tragic, beautiful and riveting. (I understand that actual Gerda, for all that gender idealogues want her to be a lesbian icon, finally gave up and married another man while her damaged husband was still alive.)