Universalis, your very own breviary in pixels...

Tuesday, 13 January 2009

I has gots to get me ninety five dollars...

Fr Ruff's book looks too good to be putting off until we all feel solvent.
I suppose I could reason that with the amount of money I saved the parish by arranging, writing, searching out that in the public domain, and scrounging paper instead of buying octavos, I've more than made up for that amount, and I could buy it "for" the parish, but that sort of defeats the purpose of having saved the parish money, doesn't it,(my heating bill was nearly twice last years for the month of December, I'd be paralytic with fear is the church's was my responsibility -- why don't all priests have ulcers?)

Anyway, in the meanwhile, huzzah, (and "hoopla"?) for Google Books .

I'll have to wait for my seven hundred and four pages of liturgicky goodness....

German chant scholar Godehard Joppich emphasizes the textual primacy of chant when he declares, somewhat provocatively that Gregorian chant is not "music" and that one should not speak of the chant "melody." These terms carry associations that are inadequate for the liturgical chant.... [for him] Gregorian chant is "simply"....


"Simply" what??!?#?$?%?!!??^?&?*?

I must know.

1 comment:

Anonymous said...

To whet your appetite
Contents
The Role Purpose and Characteristics of Music in the Liturgy
1
Sacrosanctum Concilium, J.D. Crichton, Joseph Gelineau
The Purpose of Liturgical Music Based on the Nature
8
Christian liturgy, Joseph Gelineau, Helmut Hucke
The Characteristics of Liturgical Music
19
worship music, ethnomusicology, Inculturation
The Aesthetic Character of Liturgical Music
43
Don Saliers, sacrament, aesthetic
The Development of Musical Historical Consciousness
55
polyphony, Gregorian chant, Carolingian
Worship Music New and Old in the Seventeenth
64
stile antico, Palestrina, Johann Joseph Fux

more »
The NineteenthCentury Cecilian Turn to the Past
75
Franz Xaver Witt, Palestrina, Johann Michael Sailer
Summary
105
Cecilians, hymnody, sacred music
The NineteenthCentury Gregorian Chant Revival
108
melismas, Pope Pius X, Hayburn
The TwentiethCentury German Lutheran Rebirth
130
Hugo Distler, Theodor Adorno, Johann Nepomuk David
The Early Music and Authentic Performance
155
authentic performance, Nikolaus Harnoncourt, Peter Kivy
Musical Historical Consciousness and a Theology
181
Geoffrey Wainwright, polyphonic, folk music
The Liturgical Movement and Liturgical Music Traditions
193
Liturgical Movement, Pope Pius X, Justine Ward
Liturgy and Music at Cross Purposes
243
Missa Cantata, Pius Parsch, Klosterneuburg
The Treasury of Sacred Music in the Roman Documents
271
organ music, Roman school, Jean de Muris
Roman Documents
293
liturgy, Pope Pius XII, Mediator Dei
The Second Vatican CouncilSacrosanctum Concilium
314
Overath, pipe organ, liturgy constitution
Musicam Sacram
339
Musicam Sacram, Pope Paul VI, Sanctus
The Treasury of Sacred Music in the Reformed Roman
359
music psychology, Huijbers, Zotto
Problem Area II The Role of the Choir
382
Hameline, choral music, Schola Cantorum
Problem Area III The Liturgical Composer
417
Gebrauchsmusik, Petr Eben, Erik Routley
Using Inherited Genres I Gregorian Chant
466
semiology, Lectionary, John Blackley
Using Inherited Genres II The Polyphonic
508
Agnus Dei, Kyrie, Sanctus
Using Inherited Genres III The Motet
545
Introit, Communion chant, choral motet
Using Inherited Genres IV The Vernacular
563
strophic form, Kaspar Ulenberg, Counter Reformation
Conclusion
603
inherited musical, magisterium
Bihliography
613
Documenta, Enchiridion, MAGISTERIUM
Index
661
Liturgical Institute, Monsignor Reynold, Reynold Hillenbrand