From what I can only think is an allergic reaction to an absurdly fecund spring, I am without voice, or without enough voice to phonate for more than a phrase or two.
Very discouraged, thinking that in order to sing at all at the Colloquium, I shall need to limit myself to a chant schola, and take a pass on the polyphonic choirs.
Thinking of spending more time reading, and maybe composing, or rather arranging and "type-setting" as I have not the skill or charism for the real thing.
But I'm inspired by a friend who tells me that he is putting the finishing touches on a new plainsong Mass setting (he says he was inspired by the wonderful new enthusiasm for for chant displayed by the usual suspects from OCP, GIA and other shudder-inducing groups of initials.)
He says there will be a sort of pedal-point accompaniment, scored for vuvuzela ensemble (that means it has to be in either B flat, E flat or F doesn't it?)
Blow, Gabriel, blow....
I shall be sorry to miss its premier at NPM.
Think he's pulling my leg?
Of course, there are legitimate reasons to consider the vuvuzela a liturgical instrument.
This could be the ultimate "stadium Mass", no?
Is it so very different? Could you necessarily tell which is which?